It promised an explosive reimagining of a science fiction classic. What it delivered was a baffling mix of budget effects, misplaced casting and one very confused alien invasion. Here’s why this new release has the internet howling — and not in fear.
When bad press becomes the best kind of publicity
There’s an old saying in entertainment: any buzz is good buzz. And it seems this Prime Video disaster is putting that theory to the test. Upon release, War of the Worlds 2025 was met with what could only be described as cinematic carnage — scoring a spectacularly poor 0% on Rotten Tomatoes from critics. Yes, zero.
Social media wasted no time. Within hours, the film had become a viral sensation for all the wrong reasons. Meme after meme rolled in. Clips of questionable acting and PlayStation 3-level graphics circulated with glee. The result? One of the most watched films on the platform, fuelled by sheer curiosity and the ever-popular art of hate-watching.
Even with its critical score creeping up to a shaky 4%, it’s hard to ignore the trainwreck appeal. Naturally, we had to see it for ourselves.
War of the Worlds… but make it 2025
The plot? Technically, yes, there is one. This version of the alien invasion tale follows Will Radford (played, somewhat controversially, by Ice Cube), a cybersecurity analyst working for Homeland Security. When Earth is attacked by unknown forces from the sky, Will and his family get caught in a tangled mess of explosions, conspiracy theories, and national secrets.
It sounds serviceable on paper. And to be fair, the idea of viewing an alien attack solely through digital surveillance feeds — a nod to our screen-saturated lives — could have been clever. In fact, the setup even echoes Orson Welles’ legendary radio broadcast that once convinced listeners a real invasion was underway.
Sadly, the execution collapses faster than a CGI spaceship.
When casting kills the mood
Let’s talk about Ice Cube. A talented performer in his lane, no doubt. But as a federal analyst decoding extraterrestrial threats? It’s a stretch. His performance, bursting with signature glares and streetwise energy, feels miles away from the restrained tension the role calls for.
And he’s not alone. Most of the cast oscillate between cartoonish panic and near-total indifference. At times, it genuinely feels like half the actors were in on the joke, hamming it up for fun, while the others were just waiting for payday. Special mention goes to Eva Longoria, whose double billing on Prime this week might make her reconsider future contracts.
A masterclass in chaos (and poor production choices)
Visually, things go from bad to baffling. The film’s limited budget is on full display, with laughable green screens and action sequences that feel more like a YouTube fan trailer than a professional release. Director Rich Lee, best known for his work on music videos, brings that same frantic style here — rapid edits, unnecessary zooms and all. It’s like watching a film through a blender.
Worse still, the film’s connection to the original H.G. Wells story is superficial at best. The classic’s meditations on fear, human fragility and existential dread are swapped out for a half-baked government conspiracy thriller, peppered with dialogue that wouldn’t feel out of place in a badly written chatbot script.
And just when you think it couldn’t get more surreal, in comes the product placement. Apparently, Amazon Prime services have a starring role in saving the world. Subtlety? Absolutely not. At this point, you’re half expecting Alexa to lead the counter-attack.
So… is it really the worst film of the year?
Well, it’s certainly in the running. There’s still time for other contenders to step up (or down), but War of the Worlds 2025 has set a remarkably low bar. Yet oddly enough, it may be this very awfulness that gives it a weird sort of success.
It’s unforgettable — just not in the way it hoped. Whether you end up laughing through it with friends or just watching in stunned silence, one thing’s clear: this is one invasion you won’t soon forget. Even if you really, really want to.
