Apple TV+ has just unveiled a new series that blends humor with science fiction: Murderbot: Diary of a Killbot. Based on the highly acclaimed books by Martha Wells, which have won Hugo and Nebula Awards, this new show promises to captivate viewers with its quirky premise and dark humor. But does it live up to the hype? Let’s take a closer look, without any spoilers.
The Premise of the Show
Murderbot follows the story of a self-hacked security android who is both terrified of human emotions and oddly moved by the vulnerability of its human clients. Tasked with a dangerous mission while hiding its newfound free will, Murderbot’s only true desire is to binge-watch futuristic soap operas and find its place in the world.
This is not your typical android story. Instead of following the usual path of cold, emotionless machines, Murderbot is far more relatable than you might expect. Yet, despite its unique premise, the show struggles to fully capitalize on its potential.
Our Take on Murderbot
Created by Chris and Paul Weitz, Murderbot: Diary of a Killbot unfortunately falls into the category of Apple TV+ series that leave you wondering if it could have been more. The first season is uneven, lacking the consistency that could have made it truly engaging. Despite a visually stunning production with top-tier special effects and artistic direction—hallmarks of Apple TV+ content—the show struggles to deliver the kind of entertainment you expect from a big-budget series.
The premise, a robot more interested in soaps than saving humanity, never quite takes off. The show leans more on suspense than humor, with jokes that often miss the mark and characters that fail to elicit any real laughs. Even Alexander Skarsgård’s portrayal of the android manages to get a few chuckles here and there, but it doesn’t quite carry the weight of the show.
The themes of machines discovering free will and grappling with their humanity are intriguing, but unfortunately, the series only skims the surface of these ideas. The narrative doesn’t dive deep enough into the subject matter to offer anything new or profound. And while the potential for exploring AI’s role in our future is clear, the show never quite connects those dots in a meaningful way.
The lack of character development is another significant flaw. While the show’s visuals are polished, many of the characters feel underdeveloped, and unnecessary subplots weigh down the pacing. By the time the last few episodes roll around, Murderbot starts to hit its stride, but it’s too little too late.
A Show with Promise, But Missed Potential
There’s no denying that Murderbot has its moments of brilliance. The visuals are sleek, the concept is unique, and Skarsgård brings a likable charm to his portrayal of the android. However, despite these strengths, Murderbot feels more like a missed opportunity. It doesn’t explore its core themes as deeply as it could, and its humor often falls flat, leaving a show that is more forgettable than it should have been.
If you’re a fan of AI-driven stories or intrigued by the complexities of machine sentience, there are definitely elements to appreciate. However, if you’re looking for a K-drama-level of engagement or a groundbreaking exploration of AI, you might find yourself disappointed. Unfortunately, Murderbot: Diary of a Killbot won’t be remembered as Apple TV+’s next breakout hit.
Murderbot: Diary of a Killbot is available for streaming on Apple TV+ starting May 16, 2025. Whether it makes a lasting impression or fades into obscurity remains to be seen.
